Spring 2012
Water (UN)Ltd : The Guarani Aquifer
Photography by Annalisa Brambilla
Spring 2012
Water (UN)Ltd : The Guarani Aquifer
Photography by Annalisa Brambilla
Every child is taught the importance of water as a life sustaining element, but what about the other narratives of water, the ones that are not taught? Water shapes societies, inspires cultures, nourishes, cleans and rejuvenates. Human beings are 60% water, the planet is 70% water, but with millions affected by water shortage, the focus of these narratives has been lost.
Photographer Annalisa Brambilla, initially travelled to Argentina to investigate the Guarani Aquifer – a massive and relatively unknown freshwater resource - however, whilst there, she was more drawn to the stories that unfold above the Aquifer. The importance of aquifers is increasing because the world is running out of fresh water: the booming population growth along with the casual way water is used means that the need for freshwater is greater than ever.
Yet it is not the economic, political, regional or global relevance of the Aquifer that is under investigation in these photographic works, but rather its ability to foster connections between individuals. Annalisa allows the natural curiosity of her camera to seek and find touching human narratives played out alongside water; everything from sharing maté tea on the waterfront to quiet moments of contemplation at a spa are captured. Water, with its multiple attributes, meanings, and symbolism has been a source of inspiration and inquiry since antiquity and has exacted substantial transformations on the texture of human habitats. These photographic images highlight water as a catalyst for creating both social and personal experiences.
Annalisa Brambilla is an Italian photographer living and working in London. She completed a Masters in Photojournalism at Westminster University in 2009. She is interested in the patterns and typologies of human behaviour. She has undertaken a number of documentary-based projects, including Don’t Shoot The Messenger, The Underground, and assignments for the Italian current affairs magazine Left.